A young married couple spends the honeymoon in New York together with the wife's overbearing father.

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Thomas has a problem: the single man has crashed a borrowed Ferrari into the wall without insurance and now needs a lot of money to pay for the damage. When he accidentally runs in front of the convertible of likeable photographer Lisa and ends up in hospital with minor injuries, his chaotic brother Andi has the idea that saves the day: a lawsuit for compensation for pain and suffering! The only unfortunate thing is that Andi forges the certificate for impotence of all things.

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Caro ist ein ganz normales 15-jähriges Mädchen, unzufrieden mit ihrem Körper und unsicher in Bezug auf Jungs. Bis sie eines Tages auf den 19-jährigen Cem trifft, der sie mit seiner lockeren, leidenschaftlichen Art sofort begeistert. Was als Teenager-Romanze beginnt mündet schon bald in einen Abgrund. Denn Cem ist ein Loverboy. Aus dem anfänglich lieben und netten jungen Mann wird eine Gefahr für Caro. Sie gleitet immer tiefer in einen Strudel aus Gewalt und Prostitution, aus dem sie sich nicht mehr befreien kann. Und trotz der Misshandlungen ist die emotionale Abhängigkeit von Caro zu ihrem Loverboy ungebrochen. Mit perfider Manipulation gelingt es Cem immer wieder, Caro um den Finger zu wickeln und zwingt sie, Anschaffen zu gehen. Nicht einmal Caros Eltern ahnen in welchem Strudel ihre Tochter steckt, denn Cem achtet darauf, dass Caros Leben möglichst normal und unauffällig weiter geht.

South American Antonio is a simple man who crosses paths with rich oilman Mark Hunter who is hiding from divorce lawyers. Desperate Mark gives Antonio his car in hopes of keeping it out the clutches of his ex-wife. At first, excited Antonio finds the luxurious vehicle causes him nothing but trouble, so he sets out to track down his benefactor and return the car to him. Also released as “Antonio.”

The story of an Italian immigrant, a widower living alone with his memories, his Bible and Dante, which he learned to read in English. In this black-and-white film from 1966 he talks about his past, his children and of good times and bad. What he tells and what the camera shows of his life make a warm, human portrait of an aging man who chooses freedom and independence even though it sometimes means solitude.

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